Music at
The Church of
The Advent

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Liturgical worship preserves our sacred traditions.

The Advent’s musical heritage stretches across generations. Sourcing from a region rich in world-class musicians, the Advent Choirs offer a varied repertoire performed to the highest standards, supported by the historic Aeolian-Skinner organ, a landmark of the American Classic Style.

Meet Our Team

Mark Dwyer

Organist & Choirmaster

Mark Dwyer came to the Advent from St. Paul’s Parish, K Street, in Washington, DC, in 2007. He was formerly the Music Director at the Cathedral of All Saints in Albany, NY, and before that Associate Organist & Choirmaster here at the Advent. A Worcester native and 1985 graduate of the New England Conservatory, he studied with Yuko Hayashi, William Porter, Frank Taylor, and Charles Krigbaum. Mark has also been a faculty member and choirmaster at the annual Saint Michael’s Conference for Young People for many years. He is featured on several recordings by the Advent Choir and is the performer on a JAV recording of the Advent’s Aeolian-Skinner organ in the series “Great Organ Builders of America: A Retrospective.” Mark and his wife Cheryl have a son, Douglas.

Andrew Scanlon

Associate Organist & Choirmaster

Andrew Scanlon came to The Advent in September 2021. From 2009-2021 he was the organ professor at East Carolina University and Organist-Choirmaster at St. Paul’s Episcopal Church in Greenville, NC. Prior to Greenville, Andrew has spent time at Duquesne University, Christ & St. Stephen’s Episcopal Church (New York), St. Paul’s Episcopal Cathedral (Buffalo), First Presbyterian Church (Pittsburgh), and Marquand Chapel at Yale Divinity School. His CD recording, Solemn and Celebratory, featuring the Fisk organ at St. Paul’s in Greenville, was released in 2013.

History

The Advent has always striven to witness to “the beauty of holiness and the holiness of beauty,” acquiring a worldwide reputation as a ‘shrine church’ of Anglo-Catholicism in the United States. In 1936 a parishioner, master organ-builder G. Donald Harrison of the Aeolian-Skinner Company, designed and installed a pipe organ which remains a world-renowned masterpiece of the art. Its reputation was such that no less a personage than Albert Schweitzer, on his tour of the United States in 1948-49, made playing it a highlight of his Boston visit.

Albert Schweitzer at the organ, 1949

Choir in procession, circa 1900

The Advent’s Organ

For two and a half centuries Boston has been a city of organs and organ-builders. When Thomas Brattle’s little chamber organ arrived from London in 1708 it was quite a novelty; the Reverend Joseph Green of Salem noted in his diary that he had been to Brattle’s house and “heard ye organ and saw strange things in a microscope.” (1) In those days an organ in a home was a delight, but an organ in a church was an abomination. When Brattle died and willed the instrument to the Brattle Square Church it was summarily refused, so it went to King’s Chapel. There the congregation did not refuse it, but they were exceedingly ambivalent. Cotton Mather and other dignitaries bitterly denounced the “box of whistles” and the organ remained outside the church in a crate on the porch. For seven months one of organ music’s longer debates dragged on; finally, in 1714, the Brattle Organ became the first church pipe organ in the Colonies.
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